The free standing screens that can be found in many of the postwar landscapes designed by Robert Royston function are sulptures in their own right. Note relationships between ground patterns and freestanding screens in photos below.
Used in conjunction with ground plane patterns or independently, free standing screens were another defining characteristic of early Royston landscapes. Using the increasingly common suburban lot line fence as jumping off point, Royston used the screen/fence as a means for achieving both functional and aesthetic ends. Functionally these constructions were important devices for providing privacy, sheltering areas from wind, and creating distinct spaces within the garden. This last point is likely the most important when considering the freestanding screen. Royston often defined the spaces in his postwar gardens by using the vertical planes created by screens and trellises. The sweeping arc and a quirky zigzag were favorite configurations.
Aesthetically they worked almost as sculptures. The faces of these screens were often articulated in such a way as to create a play of shadows across their surfaces. They were also used as a display area for modern abstract sculpture. Working directly with artists, Royston incorporate sculptures directly into the screens..
smith garden - 1952
basham garden - 1958
lette garden - 1957